Archive for the 'general' Category

That there’s my new avatar on Xbox Live, which doesn’t really look like me, unless you count it as a much more cute and attractive version of me (and that’s not just me being humble — looking around my friends list, they’ve basically designed the avatar system with so few options that it’s kind of tough to make an un-cute and un-attractive avatar, so everyone ends up looking much better than they actually do in real life). In the NXE, which is the brand new firmware on the Xbox 360 — the little system that runs on the console when you’re not actually playing the games — that little avatar of mine runs around playing Uno, checking out the games my friends are in, and picking games for me to play next. It’s interesting — an obvious ripoff of Nintendo’s Mii system, although Microsoft has even upped it a notch by extending the metaphor not just in games, but in the system itself. Nintendo’s Miis never left their little Mii parade to join the rest of the UI, but Microsoft’s avatars are everywhere on the Xbox 360.

I would like more options, not necessarily in the way the avatar looks, but in terms of clothing. I hear they’re on the way — Microsoft says they’re aiming to double the amount of clothing available by next year, but I want special stuff — a Gears of War 2 t-shirt for beating that game, or a Master Chief helmet for finishing Halo 3 on Legendary. I want accessories — a Zune for my avatar to listen to (even though, sure, I’d want an iPod, but this is Microsoft we’re talking about), or an Xbox headset to wear when I’m in a game or chatting. I’d even love to see Microsoft get really crazy — a Kazooie pet to sit on my shoulder when I beat Banjo Kazooie 3, or a Zombie version of me from Left 4 Dead. Of course, this is only the beginning, but I hope they take this places it was never meant to go.

As for the rest of the UI, it’s a UI — it moves faster than the old one, which is definitely welcome, and I also like that rather than having to go back to the dashboard from the games, you can simply pull up the UI and read messages or dive into another game right away. I haven’t tried the Netflix features yet, but I plan to: I quit my subscription to Blockbuster just yesterday, because even the hint of streaming HD movies from my Xbox as part of a subscription has me drooling.

So yeah, I’m digging the update — there wasn’t really anything to miss about the old one, and it’s basically like getting a new console for free. Can’t argue with that. Can I get a different pose for my avatar’s picture, though? Who stands like that?

Test 11.17


test from Mike Schramm on Vimeo.

Changing things yet again. Having just my Twitter updates on the site kept things moving here (the site, I think, was updated more often than ever), but I am fairly sure that most people who read them had already read them on my Twitter feed or on Facebook, which is where most of my friends found them in the first place. And that doesn’t give a lot of reason to come back here.

(Not to mention that when I did write something here, Twitter pushed it off the front page so fast that no one got to read it.)

So I’m dropping Twitter back down to its own little section (or you can follow me over there), and instead of depending on my Twitter updates to run my blog, I’ll go back to doing it myself.

My latest obsession is getting an HD video camera and making some short films. Time will tell whether this all passes before I shell out a few hundred bucks on a gadget I’ll probably never use again, but trust me when I say that just like you, I’m waiting with bated breath to see what might happen. In the meantime, I tried to be happy with the camera I have, and the video above is the result. Enjoy?

In anticipation of Banned Books Week, BBB posted a challenge to get a list of banned books up and show how many we’d actually read, so here you go. All the books on the list have been banned at some point, and the books in bold are the ones I’ve read.

1. Scary Stories (Series) by Alvin Schwartz
2. Daddy’s Roommate by Michael Willhoite
3. I Know Why the Caged Bird Sings by Maya Angelou
4. The Chocolate War by Robert Cormier
5. The Adventures of Huckleberry Finn by Mark Twain
6. Of Mice and Men by John Steinbeck
7. Harry Potter (Series) by J.K. Rowling
8. Forever by Judy Blume
9. Bridge to Terabithia by Katherine Paterson
10. Alice (Series) by Phyllis Reynolds Naylor
11. Heather Has Two Mommies by Leslea Newman
12. My Brother Sam is Dead by James Lincoln Collier and Christopher Collier
13. The Catcher in the Rye by J.D. Salinger
14. The Giver by Lois Lowry
15. It’s Perfectly Normal by Robie Harris
16. Goosebumps (Series) by R.L. Stine
17. A Day No Pigs Would Die by Robert Newton Peck
18. The Color Purple by Alice Walker
19. Sex by Madonna
20. Earth’s Children (Series) by Jean M. Auel
21. The Great Gilly Hopkins by Katherine Paterson
22. A Wrinkle in Time by Madeleine L’Engle
23. Go Ask Alice by Anonymous
24. Fallen Angels by Walter Dean Myers
25. In the Night Kitchen by Maurice Sendak
26. The Stupids (Series) by Harry Allard
27. The Witches by Roald Dahl
28. The New Joy of Gay Sex by Charles Silverstein
29. Anastasia Krupnik (Series) by Lois Lowry
30. The Goats by Brock Cole
31. Kaffir Boy by Mark Mathabane
32. Blubber by Judy Blume
33. Killing Mr. Griffin by Lois Duncan
34. Halloween ABC by Eve Merriam
35. We All Fall Down by Robert Cormier
36. Final Exit by Derek Humphry
37. The Handmaid’s Tale by Margaret Atwood
38. Julie of the Wolves by Jean Craighead George
39. The Bluest Eye by Toni Morrison
40. What’s Happening to my Body? Book for Girls: A Growing-Up Guide for Parents & Daughters by Lynda Madaras
41. To Kill a Mockingbird by Harper Lee
42. Beloved by Toni Morrison
43. The Outsiders by S.E. Hinton
44. The Pigman by Paul Zindel
45. Bumps in the Night by Harry Allard
46. Deenie by Judy Blume
47. Flowers for Algernon by Daniel Keyes
48. Annie on my Mind by Nancy Garden
49. The Boy Who Lost His Face by Louis Sachar
50. Cross Your Fingers, Spit in Your Hat by Alvin Schwartz
51. A Light in the Attic by Shel Silverstein
52. Brave New World by Aldous Huxley
53. Sleeping Beauty Trilogy by A.N. Roquelaure (Anne Rice)
54. Asking About Sex and Growing Up by Joanna Cole
55. Cujo by Stephen King
56. James and the Giant Peach by Roald Dahl
57. The Anarchist Cookbook by William Powell
58. Boys and Sex by Wardell Pomeroy
59. Ordinary People by Judith Guest
60. American Psycho by Bret Easton Ellis
61. What’s Happening to my Body? Book for Boys: A Growing-Up Guide for Parents & Sons by Lynda Madaras
62. Are You There, God? It’s Me, Margaret by Judy Blume
63. Crazy Lady by Jane Conly
64. Athletic Shorts by Chris Crutcher
65. Fade by Robert Cormier
66. Guess What? by Mem Fox
67. The House of Spirits by Isabel Allende
68. The Face on the Milk Carton by Caroline Cooney
69. Slaughterhouse-Five by Kurt Vonnegut
70. Lord of the Flies by William Golding
71. Native Son by Richard Wright
72. Women on Top: How Real Life Has Changed Women’s Fantasies by Nancy Friday
73. Curses, Hexes and Spells by Daniel Cohen
74. Jack by A.M. Homes
75. Bless Me, Ultima by Rudolfo A. Anaya
76. Where Did I Come From? by Peter Mayle
77. Carrie by Stephen King
78. Tiger Eyes by Judy Blume
79. On My Honor by Marion Dane Bauer
80. Arizona Kid by Ron Koertge
81. Family Secrets by Norma Klein
82. Mommy Laid An Egg by Babette Cole
83. The Dead Zone by Stephen King
84. The Adventures of Tom Sawyer by Mark Twain
85. Song of Solomon by Toni Morrison
86. Always Running by Luis Rodriguez
87. Private Parts by Howard Stern
88. Where’s Waldo? by Martin Hanford
89. Summer of My German Soldier by Bette Greene
90. Little Black Sambo by Helen Bannerman
91. Pillars of the Earth by Ken Follett
92. Running Loose by Chris Crutcher
93. Sex Education by Jenny Davis
94. The Drowning of Stephen Jones by Bette Greene
95. Girls and Sex by Wardell Pomeroy
96. How to Eat Fried Worms by Thomas Rockwell
97. View from the Cherry Tree by Willo Davis Roberts
98. The Headless Cupid by Zilpha Keatley Snyder
99. The Terrorist by Caroline Cooney
100. Jump Ship to Freedom by James Lincoln Collier and Christopher Collier

Strange that lots of the books on the list are childrens’ books, but I guess that’s where people are touchiest about what’s supposedly right and what isn’t. But even stranger is the fact that I actually read most of these books in school. I’m against censorship of all kinds (the commenters on the sites I work on might argue that, but they’ll just have to believe me when I say that I’ve never deleted a comment just because they disagreed with me, and in more than a few cases, I’ve actually fought to not delete comments that spoke out against me and others I work with), but maybe it says something about a list of banned books like this that many of them are now taught and read within the curriculum of many schools.

Maybe there is hope out there after all.

Gedeon Maheux (the ingenious brain of IconFactory, makers of the popular Twitterific app) sent around a query recently asking people to blog about their favorite songs that tell stories. I have no idea if there’s a genre name for this type of song (narrative?), but I too am a huge fan of songs that tell a story with a beginning, middle, and end — they pull you into the lyrics into a way that songs that simply talk about an emotion or describe something can’t. In fact, one of my first criteria for a great songwriter (a long time back when I was first getting into music) was someone who was able to write a song that wasn’t about the standard love relationship — if an artist could write a song about something that’s wasn’t “he loves her,” or “she doesn’t love him,” or “I love you,” then I considered them pretty good.

And to tell the truth, that definition still stands. But that’s another blog post — here’s five songs that I think tell great stories.

The Decemberists, The Mariner’s Revenge Song
A pirate epic. The Decemberists have a kind of limited sound (gypsy-flavored pop rock, I guess), but boy do they make great use of it here.

Sting, Love is Stronger than Justice (The Municifient Seven)
The album has faded a bit over time, but Sting’s Ten Summoners Tales was one of the first albums I really loved as a whole, and it’s full of songs that tell stories in one form or another. This is probably the best story on the album — though it’s got a country twang (ever since he left the Police, Sting has almost been a little too experimental), it brings a nice murderous twist at the end.

Common, I Used to Love H.E.R.
This song is like Empire Strikes Back for hip hop fans — everybody already knows the secret at the end (and quite a few other rappers have stolen the metaphor for themselves). But if you’ve never heard it before, it’ll surprise you. Jurassic 5’s “Remember His Name” has the same vibe.

The Streets, A Grand Don’t Come for Free
This is actually a whole concept album (”The Streets” is really British rapper Mike Skinner), and there are a few weak points within, but as long as you can decipher some of the heavy accents, the story it tells by the time you reach the last track is really great.

The Gorillaz, Fire Coming Out of the Monkey’s Head
A tribal folk tale with a vague environmental moral told by Dennis Hopper over Gorillaz beats with a Damon Albarn chorus? Does it get much better than that? I saw the Gorillaz at the Apollo special in HD, and Dennis Hopper showed up at the concert himself to do this one live, it was great.

I’m not the only blogger that did this today — you can see more on the blogs of David Miller, David Schultz, TUAW’s Dave Caolo and Christina Warren, Von Glitshcka, Andy Rudkin, Austin Heller, Mason Sklar, Allen Emory, Allain Edouard, Mark Goody, and Jaime Parkins.

For a while now, I’ve been a huge fan of The Abominable Charles Christopher, a weekly webcomic that not only defies explanation (there’s a sasquatch? and he has animal friends? who aren’t actually very nice to him? or each other?) but is in turns breathtakingly beautiful, touching, and just plain hilarious. The strip is drawn by Karl Kerschl, whose name I had never heard before, but whose art I had probably seen in his work with DC Comics. But his work and his writing in ACC (fans call it that — there is a burgeoning group on Facebook that Kerschl regularly sends updates to) struck me so strongly that I had to get to know the guy. I contacted him for an interview (apologizing, at the same time, that I couldn’t fit it into any of the larger venues I have access to, just this little blog of mine), and he very kindly agreed.

Plus, I just wanted to gush about how great this thing is. Seriously, start here, and take in the artistry in the images and the pacing. These are classic, complete characters, assembled in just a few panels. I can’t say enough about how much I love this comic. Maybe I’ll let Karl talk for a while.

How’d you get started with comics? What kind of influences got you into drawing comics and art in general?

Karl Kerschl: I started drawing comics professionally when I was 18 years old. In the mid-90s it was a lot easier to get your foot in the door because the industry was doing so well and a lot of small, independent publishers were looking for artists. So I was essentially being paid to learn on the job. I’d made up my mind sometime in high school that I wanted to draw comics for a living. I did a lot of reading as a kid, and we lived kind of on the outskirts of town so I amused myself by drawing; mostly lots of dinosaurs and animals and then, as I got a bit older, cartoons and super-heroes. I wanted to be Robert Bateman when I was little.

And are those influences the same as what got you wanting to do something like ACC? Where did this all come from?

What’s weird is that I’ve been drawing superhero stuff for Marvel and DC for so long that it just sort of became “what I do.” Once I broke into the business, I didn’t really give much thought to whether I really wanted to be there or what my real passions were. You know, you keep doing a thing because you’re good at it, but every once in a while there’s a nagging voice asking “is this really it?” I love Batman and Superman and I always will, but I just don’t relate to those stories any more. I don’t read them and they don’t resonate with me the way they used to.

When I had the opportunity to create something for Transmission X (I was sharing a studio with those guys and they’re all, every one of them, brilliant and inspiring in a different way) I racked my brain for a story I was dying to tell, and when I finally came up with something I started painstakingly plotting and writing it. And when it came time to actually draw this thing, I just absent-mindedly turned the page over and sketched a picture of a dopey sasquatch on the back. The image in the banner of the web site is the first picture I ever drew of him. And he just kind of looked like his name was Charles Christopher.

Run us through your process for making a weekly webcomic. I have no idea how this works — do you scan sketches and then ink them on a computer (and what computer)? And has the process changed at all since you’ve started?

The process of actually producing the strip is much the same as the process of the character’s creation. I just don’t think about it. I wake up on Wednesday morning knowing that I have to do a comic before the end of the day, then I make some coffee and sit around until an idea comes to mind. Sometimes this is immediate, but usually I have to wait a couple of hours for inspiration. A shower always helps. And music. Very often I’ll know what tone I’d like the strip to have, emotionally, and I’ll put on some music that matches that tone and just allow ideas to come to me. As soon as something occurs to me that feels right, I flesh it out in my head into a mini-story.

Then the drawing starts. I rough in the sequence of panels with a blue Col-Erase pencil, and whenever I have an idea about specific dialogue I jot it down in the page margin. That’s as much ‘writing’ as I ever do. When I’m happy with the drawing (usually an hour of work) I go over it all with black ink. I use a combination of tech pens and brush pens to get the organic look I want, and this part of the process is the most time-consuming because a lot of the finished drawing takes place here. I scan the strip into Photoshop (still using my old G4 Powerbook and a Wacom tablet) and then colour it with a very limited palette.

And then I post it. And stare at it for a while hoping that it works.

The process hasn’t changed at all since I started the strip last year, except that the depth of colour has increased and become a bit more painterly. The key element of the creative process is to just shut my mind off and not force ideas. It’s an exercise of faith.

Cheer for the G4 Powerbook, I still use one, too. Though it’s hardly the most remarkable thing about ACC, I’m always impressed that you’re on time and regular (something a lot of webcomics struggle with). Has that been a challenge?

It has been, but not to the degree I expected. I’ve always had problems with deadlines and, especially when you’re trying to do something of your own, it’s difficult to be disciplined enough to see it through. I’ve failed at so many other personal projects - this time something just clicked in my head and I refused to let down my colleagues and my readers. And myself. I’m very proud that Charles Christopher has updated every week since it began, and hitting the one year mark was quite emotional for me. It’s still going strong. Now it’s just something that I do every week that takes priority over everything else. I imagine it’s a bit like having a child you have to take care of. It’s there and it’s a part of your life and you’re the only one who can look after it, so you’d better just get on with it and be happy about it. Which I am.

On the other hand, the most remarkable thing about ACC is the characters — within just a few panels each, you’re able to define them very clearly and memorably. Every line of text and art tells us who we’re looking at. Just as an example, tell us where Townsen came from. Did you see a fox and attach a character to that, or were you influenced by a person first, or did you need a character in the story and let it evolve from there?

Again, it’s a matter of not thinking about it. It’s probably a cliché to say that all of these characters are facets of my own personality, but it’s true of any author’s work and it’s what makes this process so satisfying. You get glimpses of yourself through these other people (or animals, in this case) and they can surprise you because often they’ll behave in ways that you never expected. The thought that you can always surprise yourself is very comforting to me.

Townsen wasn’t planned. I was moving Charles up the mountain (also not planned) and I guess I just needed someone for him to talk to. Someone to change the tone of the story. I don’t know why I drew a fox, except that the scene was snowy, and I didn’t know until the following week that he’d been separated from his brothers, but man, when I was working on that strip and that line of dialogue came out of the blue, it hit me so hard. I felt so sad and felt such a strong connection to him that I knew it was the right thing to do. I love that moment — I still get goosebumps when I think about it.

I feel the same way about Vivol and Moon Bear. Those strips come up when I wake up feeling sad or depressed, and they have a lot of fire behind them. I don’t know where it comes from, but there’s a gut-wrenching quality to them that I seem to need on certain days.

Completely selfishly, I’ll tell you that my favorite strip so far is the two little birds learning to fly. Got any behind the scenes tidbits you can share about that one? The whole bird family is great.

The birds are my outlet for social/relationship frustrations. It’s fun to take little slices of romantic or domestic life and express them in an honest way. I never take sides with either bird, I just like to see the scene play out and know that it’s expressing some sort of uniquely human truth.

As for the baby birds, there’s a funny story about that. I was doing an interview for a local news station, trying to get some exposure for Charles, and the reporter asked me to hunch over my desk and look like I was drawing because they needed footage for the segment. I hadn’t started the next strip yet, so I just grabbed a pencil and started sketching something, which turned out to be a baby bird on a branch. And that turned into the ‘Learning to Fly’ strip. Again, completely unplanned.

The other amazing thing about this characterization is that it’s not done with people, it’s all done with animals — the skunk infomercial is a great example, where you have animals people don’t normally think of as salesmen perfectly displaying a sales pitch. Does the fact that you’re drawing animals rather than people make it easier or harder to create characters that way? And where do you get your references from? I’ve never seen a skunk do a thumbs up, but if one ever did, it would probably look exactly like that.

Drawing an abstraction of anyone or anything usually simplifies the concept of a ‘person’ for the reader, so they can very easily get an idea of what that character might be like from the visual cues alone. I don’t think it’s any different with the animals; I start with some photo reference the first time I draw any animal and then go from memory after that. The result is a representation that isn’t entirely accurate, but close enough that you get the idea, and they evolve over time. The lion, for example, looks much different in his first appearance than he does in the following strips because I stopped using reference. His design took on elements of his character and elements of what I, in my head, think of as ‘a lion’. So it’s very personal in that sense.

Evoking personalities for them is really just a matter of being honest with myself. I won’t put words into their mouths that seem out of character just for the purpose of furthering the plot. And because I don’t have any real story agenda for them, they can just be whomever they want to be and deal with whatever ‘human’ issues they might have and it translates as a sincere human expression. None of them are ‘bad’ or ‘good’, they’re just complex bundles of emotions and insecurities like you or me.

On the “False Prophet” strip, you said you had the scene (with the lion and the tentacles) “rolling around in your head for so long.” How far ahead do you have these planned? ACC himself seems to have his own story, with all the fun distractions from it with the other animals (even though it’s all part of the same universe) — do you have the ACC story planned out a ways and jump off on the other stuff as you go?

Not much of it is planned, but I have a longer story in mind that’s very loose and that I’ll keep coming back to in order to maintain a linear narrative flow. I learned quickly that it was a lot more fun to do one-off gags about random animals than it was to stick to a plot. But the strip is called ‘The Abominable Charles Christopher’, so I can’t go too many weeks without featuring him and letting the readers know what he’s up to. Charles moves the story forward, and the rest of the cast is just gravy. But the amazing, magical part of it is that as I’m writing bits for the other characters, they seem to fit naturally into the longer plot, as though they were always intended to be there. An maybe they were. I’ve always said that my subconscious knows how to do this better than my thinking mind does, so if an idea pops up and feels right, I just go with it blindly. Even if it threatens to upset all of the carefully-planned moments.

The scene with the lion and the tentacles was intended to be an Act One ending. It introduces a sense of horror into the strip which was only hinted at before. I think the end of each year will require a similarly climactic moment, and I’m just sort of getting a sense of what the next one will be.

And I think I heard at some point that you were planning to make a book of these, but maybe I’m imagining that. Any plans to make this stuff available to us any other way than a signed strip and panel at a time?

Absolutely. My goal is to stop doing mainstream comics and make a living off of my own creations. Right now, I make nothing from this strip except for the few print sales I’ve had, which is certainly not enough to live on. I’m going to collect these into books, but I want to do it right. I have to figure out how much content I need for each book, and how much it’ll cost me to self-publish them. It’s something I’m very excited about, but it’s a lot of work and I still have some DC projects in progress, so when I find the time…

Honestly, I love Charles and the rest of the cast and I’m so happy that people are enjoying the comic and relating to it. It’s very much ‘me’ — moreso than anything else I’ve ever worked on, and I’m eager to devote more time to it as soon as possible. The moment I have any concrete news about a print edition I’ll post it on the blog for you all.

Thanks very much!

Big thanks to Karl for submitting to my questioning. Go read the comic.

  • all right, alarm clock. I got up like you wanted. Now what are you going to do for me? #
  • tell me you’ve all played nethack, by the way. one of the best games ever. #
  • does anyone even care about Madden anymore? Do sports guys even care? #
  • @Aylii where’d you hear that? #
  • Watching/listening to Sufjan Stevens on Austin City Limits #

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  • saw in bruges with my parents, probably not the best choice #
  • epic fail, blizzard. epic fail. #
  • An error has occurred. #
  • no cold water in my apt means food is getting delivered for dinner this evening? all signs point to yes #

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  • last show of don’t spit the water was hilarious, sorry I caught it so late #
  • just back from church and brunch with the parents, off to lp zoo in a bit probably #

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  • 70 or bust tonight, not turning off WoW until I ding #
  • welp ding. 70. now time for the rest of the grind, to 5000g. #
  • we’re going to build something this summer #
  • 50th (!) episode of the wow insider show going live in 15 on wcradio.com #

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  • 70 or bust tonight, not turning off WoW until I ding #
  • welp ding. 70. now time for the rest of the grind, to 5000g. #
  • we’re going to build something this summer #
  • 50th (!) episode of the wow insider show going live in 15 on wcradio.com #

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  • Coming home from ukulele practice #
  • Detroit mayor Kwame Kilpatrick’s wikipedia page is some good reading. What a guy. #
  • @notpatrick A promo like what? #
  • going to see cro threadstrong, my favorite shattrath npc #
  • a little disappointed that @chrisgrant hasn’t sent our stats around the past two EOMs, I want to show off our site :) #
  • I can’t seem to get excited about braid. it’s not the price, I just am not that interested in the game. #
  • retweeting @gadgetguy http://tinyurl.com/58lymd lol #
  • cnet interviewed me about wotlk http://tinyurl.com/6owx9v #

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  • Feel bad. Going to a concert anyway. Or maybe because. #
  • Wondering why edge isn’t working on the iPhone since last fri #
  • @jendz I am an apple expert, and in my expert opinion, @joshgray needs an iPhone #
  • Bitter:sweet was good, little piece of la right here in Chicago. Didn’t improve my mood much, but glad I came out #
  • secret confession tweet: I don’t get, and have never gotten, Achewood. #
  • love the daily show: “the news better run” #

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  • The sound of a train passing is a really beautiful mechanical symphony #
  • ding 69, one more level until the real grind begins. I kind of feel like I just want to stay up all night and get ‘er done. #
  • so wait is video on the iphone even possible? can I expect an app that will do that someday? #
  • I almost forgot I have to go meet the tax man this morning #
  • wait diablo 3 won’t have a necromancer for sure? why would you cut your most popular class? #
  • must… resist… ps3… is metroid prime 3 good? #
  • @chrisgrant ok sold. and I think I’m picking up Wii component cables while I’m out, too. #
  • thinking about going to see a concert tonight. might be in lollapalooza withdrawal. #
  • ugh even I know it’s bad when I haven’t eaten yet this late in the day #
  • @matonmacs listening now, while trying to get my iphone back syncing with iphoto again. Yup, “but that’s the greatest site in the w..” west? #
  • happy 21st to @Coneee btw #
  • anyone want a PAX badge? #
  • man, WIN folks are just getting it from all sides these days :( #
  • $400 for a plane ticket? I think I have to pass on PAX. :( #

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  • buying an automatic watch (that I almost never wear) may have been a mistake #
  • lots of computer problems tonight. think it’s a message to stop working for the day #
  • wow they are talking a serious tornado warning for Chicago here. hope everything is OK. #
  • wow it is really bad outside, can’t see 50 feet out my apartment window and lightning is like a strobe light. too bad can’t watch from roof #
  • Here’s what I did at Lolla this past weekend: http://tinyurl.com/6zuook #
  • @chartier this is definitely the craziest I’ve ever seen it #
  • this is what it looks like outside my apt right now, and this is tame http://tinyurl.com/6zwhwh (sorry,flickr required pro) #
  • protip: guildwatch reports on downings, not wipes #
  • kind of bored today. anyone in chicago want to do something fun? #
  • totally my favorite new blog: http://whatwoulddondraperdo.tumblr.com/ #
  • @film_girl I really want to give some money to Obama, but I know that once I do they’ll never stop asking. A real shame. #
  • Mac mini just froze up for the second time in two days. Not sure how I feel about that. #

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  • back from lolla — NIN was ok, Gnarls Barkley was terrific, The National was amazin #
  • @Veronica You’re telling me. Doing taxes for yourself sucks. I started mine in February and am only going to finish them next week. #
  • wondering what to do for lunch. I thought modern technology was supposed to keep us from being hunter/gatherers. #

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This past weekend, my good friend Curt Keller and I attended all three scorching days of Lollapalooza here in Chicago, and since my E3 writeup was so popular with ya’ll (even the Neos enjoyed it), I figured I’d write about what I saw at Lollapalooza. Plus, it gives me a nice way to keep track of my memories, something I don’t always do so well.

Friday
We started out early on Friday — a few friends told me that I’d never be able to keep up with my planned schedule, and I wasn’t so sure. How hard could it be to listen to music all day? But it turned out going to Lolla was one of the most physically grueling things I’ve done lately — between the sun, the insane crowds, and walking back and forth on the grounds, every single day was exhausting.

But I don’t mean to start with the bad news. The first band we saw, after exchanging our tickets for wristbands at the gate, was Manchester Orchestra, and they were a wildly raucous group of kids from Atlanta whose sound and musical weight far outstrips their age (our program says they have an average age of 19). From there, we walked on out towards one of the festival’s two big concert stage areas (one north and one south, with two stages each) to see Rogue Wave. I didn’t know them (Curt did), but I did enjoy them — kind of a Snow Patrol-esque vibe, seemed to me.

I should say, before I go too much farther, that I am not actually a rock critic. A rock critic would probably compare bands to larger bands, touchstones of culture and musical sense. I just compare bands to what I know, so don’t be offended if I mischaracterize your favorite band or happen to ignore a huge back catalogue that completely disproves my statements. I just calls ‘em as I sees ‘em here.

After listening in for a while, we headed back up to the opposite end of the park (the first of many grueling treks, growing more grueling as the days went on) to see Go! Team. I don’t know much about Go! Team — I’ve heard a few songs, I dig their sound, even if they’re a little too happy for my own tastes. But I did enjoy the show — the band members did a lot of instrument switching, was very high energy, and any band that has not one but two full drum sets gets my vote.

But boy it was hot out there. There was no shade at all near the main stages, and the sun beat down relentlessly on our heads. The Police could have been playing that stage, and we’d have done what we did: turned around to look for shade and cooler climes.

We found a little stand they were calling a “biergarten” — it was a set of shaded picnic tables near one of the many drink stands. Beer was $5, and with the heat, we were in no mood to drink all weekend (a first for me, I think — how old am I getting?), but water was a much more affordable $2, so we grabbed bottles of that and swigged it as we watched The Kills (not that impressive) on a large video screen.

There was a Rock Band setup there, and you know how much I love Rock Band. They were having a contest to see Cat Power from the side stage later in the day, but we needed four and were only two, so we passed. Another group needed a bassist though, so I threw in with them. We played Metallica’s Ride the Lightning on Expert, and I’d like to say that I did well — 87% on a track I’d never played before — but the other guys had percentages in the 90s. In the end, we scored over 950,000 — a respectable score, but not enough to win the contest, as someone earlier in the day had already beat 1,000,000. Bastards.

Onward we went to the Black Keys, who were back out on the main stage, drenched in sun. They sounded great — from the shade, where most of the festival had taken refuge, and from where we stood and listened to them.

After they finished, Cat Power started up on the opposite stage, and we listened for a few songs, but I never really got the whole Cat Power thing, and I didn’t hear anything that made me get her there. Sorry, fans, guess it’s just not my thing.

We then headed back across the festival towards the other stages, and on the way stopped to hear an awesome DJ set from a guy named Million $ Mano. He had the crowd jumping, literally — I probably didn’t see a crowd that ecstatically happy to be listening to music the whole time. No coincidence, I’m sure, that he was playing on a stage under the trees, covered in shade. We also listened to Your Vegas for a bit, and they sounded pretty good, even if they were pretty standard rock.

We finally made it back to the south stages, and from a distance saw the whole Bloc Party set, and they were terrific. The lead singer had an Obama t-shirt on (they’re from England, though, so no voting for them), and he seemed thrilled to be on a big stage like that. This was to be a running theme — the best performers at the festival really enjoyed being there, and their happiness was contagious. I’ll never hear “Like Eating Glass,” or “Banquet” the same way again — they were great.

Finally, the night ended with what we thought was the best concert of the festival, Radiohead. By the time they got on stage, the sun had set, things were cooling down, and since they were the only show still going that night, the entire place was full of people, and songs like “Weird Fishes,” “Nude,” and “Everything in its Right Place” rang out perfectly while a fireworks show even blazed overhead. There were minor annoyances — a few punks pulled up alongside us during the show, and wouldn’t shut up about how they were waiting until the fall to go hang out at their parents’ cottage (while drinking simultaneously out of a JD flask and coke bottle and smoking a roach), but when we moved far enough away from them, the concert was just beautiful.

One note: my writer’s sense went off wildly when, during “Everything,” scrolling text being projected on the stage spelled out “EVERYTHING IN IT’S RIGHT PLACE.” Oh Radiohead, fire the people who write your lightshows.

Exhausted, sunburnt, feeling excruciating foot pain, and yet exhilirated, we headed back to meet up with Curt’s sister at a diner and drink all the water they had. Already, we’d seen Bloc Party and Radiohead, and we still had two more days.

Saturday
Friday night we’d determined that we wouldn’t subject ourselves to that morning sun again, so we planned on Saturday to have DeVotchKa, at 3:30, be the first band we saw. And when we got there, our wait was rewarded: they were terrific. DeVotchKa’s lead singer is amazing — he played the guitar like a pro, took swigs of wine on stage, and even played the theremin very admirably (at one point, he even played both the guitar and the theremin at the same time). It was the first time I’d ever seen one of those played live, too. Jeanie Schroder, who played both a gigantic tuba and a standup double bass, was awesome — I joked that she should play onstage with every band that day.

We also faced our first choice of the day: both DeVotchKa and MGMT were playing at the same time, and we wanted to see both. So with about 15 minutes left in the hour, we raced across the festival again, and caught MGMT… leaving the stage. They had finished off their set (we just barely heard the last bars of “Time to Pretend) a full 10 minutes early. Very lame of them, and they win my award for Worst Performance, only because I didn’t get to hear any of it. Curt said we should have stayed for the rest of DeVotchKa’s set, and I agree — I’d see them again in a second if they make it back to Chicago.

We stayed for a few minutes to hear some of Brand New (I’d never heard of them, and wasn’t too impressed, but Curt liked them), and then went back across the festival for an also unimpressive Explosions in the Sky. They’re a band that is fun to listen to as atmosphere, but not really all that cool at a concert in the middle of the day. We had an alternative motive for sneaking back to their stage, though — we wanted to make sure we got in prime position to see the next band, one of the best shows we saw at the festival.

Yes, Okkervil River was one of the groups we most wanted to see, and they didn’t disappoint. We got in close, and it was awesome — Will Sheff put almost everything he had into every song, caterwauling around the stage and joking around with his bandmates. They were terrific — he enjoined the audience to scream out the chorus on a great take of “For Real,” and we did, and when he asked for handclaps on “Our Life is Not a Movie or Maybe,” he got them. And they finished things off with a beautiful song he called “What Gives This Mess Some Grace Unless it’s Kicks” (the album only uses the last three words as a title), with a woman I think was Julie Doiron standing in playing a tiny little guitar for a perfect solo. Great show — besides the top three closers, was one of the best shows we saw all weekend.

We cut once more back across the festival (I wanted to at one point count how many times we did this, and multiply it by the length of the area to find just how far we walked that weekend) to the southern stages to see Battles play while we ate some impromptu dinner. They were good, but I remarked that it didn’t seem like they were playing songs, just playing in general, messing around with all the sonic equipment they had around them. Their “Atlas” was good though, and there was a few other tracks in there from the album that the crowd really dug.

At Radiohead, we’d sat pretty far back and as a result had to deal with those talking kids, so for Rage Against the Machine, I’d decided that we’d try to get fairly close — not super close, but close enough to where we got in among people who actually cared about the music. So while the Toadies played their set behind us, we squeezed in close to the Rage stage.

And when Rage came out, they rocked — everyone around us started going nuts. Full disclosure: Ok, I was, too, jumping up and down and pumping my fist to “Bulls on Parade.” But what I didn’t do was start moshing, and some folks in front of us did, jumping around and pushing each other back and forth. Two songs in, Zach de la Rocha had words with security and stopped the music, pleading with everyone to “step 5 or 10 steps back, please.” We tried to do so as best we could — we later found out that not only were people getting hurt in front of the stage, but people were also trying to rush the gates outside, after a security guard opened a gate they weren’t supposed to during the concert. After another break, Rage started up again, and while I was a little disappointed that they didn’t play some of my favorite songs (nothing from the cover album, so no “Renegades of Funk” or “Pistol Grip Pump,” though I knew they wouldn’t play that second one), they did rock. I didn’t see as much as I wanted of Tom Morello playing, though — every time he was doing an amazing solo, the camera stupidly cut away to the bassist or drummer pounding out a background rhythm — it was like the director had no idea that Morello wasn’t supposed to be making those kinds of sounds with his guitar. The few shots we caught of what he was doing were great — at one point, he slid his finger up the strings, and then plucked them as he pulled off at the top, and it sounded just like a siren — but there wasn’t nearly enough. What Tom Morello does with a guitar should be documented.

We jumped a bus home again (after sitting down for a while — at the end of all the nightly concerts, our feet and legs were dead tired from standing and walking all day), and grabbed a pizza at my favorite neighborhood place to eat, Forno Diablo. If you’re ever in Chicago, give me a call and we’ll go there — it’s great.

Sunday
The last day of the festival. I was surprised I could still walk, though after a night’s sleep and a lot of water drinking, I was able to move enough to get downtown one more time. We started the day off with a trip to see the Black Kids, a slightly overhyped group (consisting, famously, of only two African-American kids and three others) that sounds a little bit like a less-depressed Cure. They’re only starting out, and as raw as they were, they did sound good. They need a little more gelling, and a lot more practice, but if they keep at it, they’ll be an interesting group going forward.

We unfortunately missed Chromeo, but considering how much buzz they got around the show, I made a mental note to pick up some of their music. We instead walked back north to see Iron and Wine, and I was unfortunately disappointed. On his low-fi records, Sam Beam whispers the words of his songs, a very intimate, quiet feeling. But on a big festival stage, he actually sings, and he’s backed up by a band of what look like hippies, and we got more of a Grateful Dead vibe off the whole thing than anything else. I still like his music, and he’s a talented guy, but the show we saw was not as advertised.

More walking back across the grounds to see Saul Williams, who had the line of the festival: “I pity you all for having to choose between Nine Inch Nails and Kanye West tonight. I work to make music where you don’t have to choose.” He was good — very spare guitars and beats over him basically just saying what he thinks. Probably not for everyone but I enjoyed it.

Then it was down to the south stages to check out the end of Blues Traveler’s set (spoiler: they played “Runaround,” and “The Hook,” which is a song I hadn’t heard for years), and then see Gnarls Barkley. I really loved seeing them on stage, and if they come back in town, I’ll try to see them again — Cee-Lo’s voice is almost tame on the record compared to how much he get into it on stage. You could tell that he was really loving it, throwing all kinds of vocal curlicues and even a “Good Gawd, uh” in at various times. They were really terrific — even songs I don’t much like on the record (”Blind Mary” for one) shined with the full band and Cee-Lo’s live enthusiasm behind them, and songs that I do like (”Whatever” and “Gone Daddy Gone”) were amazing fun.

Finally, we made one more trip back up the park, checking out Girl Talk on the way. He was on the Citi stage, which everyone agreed was the worst placed stage in the place, and his crowd was so big that he blocked major thoroughways. He was a crowd-pleaser, too — his stage was full of fans dancing, and he had people tossing crap into the crowd all over the place. I thought he performance wasn’t that great — instead of the mixed up pop music melanges that he’s known for, he was playing a pretty standard DJ set with relatively slow transitions — but he did have the crowd jumping like crazy. Awesome to see that a guy whose whole catalogue is actually completely illegal has a gigantic fan following like that — he could have been on the main stage and filled most of the place up with dancing people.

Finally, we arrived back at the main stage area to see the last two shows of the festival. The first was another concert we’d been waiting to see, and we snuck in fairly close to see The National perform an amazing set (they and Okkervil River were definitely my favorites, outside of the three closing shows). Their drummer looked as amazing as he sounds on Boxer, and Matt Berninger, though loose and cordial while not singing (he joked with fans and bandmates between songs), was an emotional rollercoaster otherwise, at times apparently crying and falling to his knees, so overcome by what he was singing. And in a few places he even screamed like I never thought he could, howling with the sheer beauty of what the band was doing around him. Great stuff — they played almost all of Boxer, with “Slow Show” (”You know I dreamed about you for 29 years before I met you” — just awesome) and my favorite “Apartment Story” being standouts. When the guitars wailed and the drums beat relentlessly and the horns wailed, it made all the heat and waiting and crowds of the weekend worth it.

And I never thought I’d call a Nine Inch Nails show sedate but that’s exactly what it was — we finished off the show with an appearance from Trent Reznor, who despite the fact that he was nursing a very croaky voice, still cranked out all their great songs. He did throw in a few too many instrumentals, and when he got really quiet, we were able to hear a little Kanye West floating across the park (I did want to see Kanye, but Curt isn’t a fan of him — or rap in general, I’m trying to cure him of that — and he is a huge fan of NIN, not to mention that I’d never seen them live before). But when Trent roared, everyone else roared with him, and older stuff like “Head Like a Hole” and “Terrible Lie” rocked right along with newer tunes like “The Hand that Feeds,” “The Warning,” “Vessel,” and “Survivalism.” He ended the show with “Hurt,” and by then his voice was so bad (and Kanye was leaking in from behind) that everyone there threw their own voice into the mix to keep the song going, and Lollapalooza ended for us with a whole crowd of people singing, with the glowing Chicago skyline over the trees around us, “If I could start again/ A million miles away / I would keep myself / I would find a way.”

Lolla was a terrific experience — at the end of it, we were completely crushed and worn out, and personally, I really think I’m too old to run all out on a big music festival like that (at least unless I go as press or VIP — looking back, I probably would have paid the extra money just to sit in the shade and enjoy the free food and drinks that VIP status supposedly grants). But all of our running around was worth it — we hit roughly 26 bands, enjoyed almost all of it, saw three legendary groups (one of which is probably on their last tour together), saw terrific sets from Okkervil River and the National, and got to check the hype on a few up-and-coming bands (we’re looking at you, MGMT).

As painful as it was, it was a terrific weekend and a great festival, and I’m glad we went. In fact, Chromeo just finished downloading — I’m off to check it out.

  • back from lolla — rage had some trouble, had to stop the concert twice. Okkervil River was amazing #
  • heading down to lolla for day 3, the last one. As much as I enjoy seeing all these shows, this pace (and the venue) is really draining. #

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  • back from lollapalooza, radiohead and bloc party awesome, heat and crowds not so much. sorry didn’t twitter, iphone wasn’t getting a signal #
  • off to lolla again in a bit. on the sched today: devotchka, explosions in the sky, okkervil river (!), battles, toadies and RAGE ATM!! #

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  • hearty farewell to @blankbaby (though I don’t think he’s going too far) and big salute to new fearless leader @MikeTRose #
  • and @panache, sorry. /salute to @panache! #
  • running out for some breakfast and then lolla! #
  • Getting down to the park a little late, missed bang camero. Probably not a huge loss #
  • Just saw manchester orchestra and rogue wave now waiting for go team #

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  • wondering what to do now #
  • hey baby, have you done MC lately? Because you’re the bomb! #
  • @Zonk have an awesome time in Vegas! remember what I told you: dollar slots! #
  • just watched the batmanime. enjoyed it, but not too groundbreaking. kind of a shame that they stuck to the new mythos, story’s not as good #
  • freakin busy day today. but I’m trying to squeeze two days’ work into one — lolla is tomorrow! #
  • it’s deep how you’re so shallow #
  • I really dislike how my iphone app panes all get screwed up afer updating apps. not cool. #
  • I’m disappointed that both Totilo and CheapyD were at the Joystiq meetup and I didn’t get to meet them. But I did get to eat some pizza. #
  • I like the facebook changes #
  • didn’t quite get everything done today that I wanted to, but isn’t that always the way it works? I did get enough done, though. #
  • so we’re livetwittering this conference call, right? #
  • well this has been a fun conference call. I’m off to uke practice. #

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  • NDAs are pretty silly, but I’m a man of my word #
  • summer storm rolling through chicago while I grind away on Ogres. feels good. #
  • I love all the WAR apologists. hopefully when the game comes out it’ll be worth their blind worship. #
  • good news: my taxes are almost done, and I still have the stimulus check inc. Should I pull the trigger on a Playstation 3? #
  • ewww Castle Crashers is going to be 1800 points/$22.50. I mean, it’s worth it and all, but still. That’s a lot for an arcade game. #
  • buying @GrammarGirl’s book because hey, she’s great, and if one blogger gets to write a bestselling book, why can’t we all? #
  • MobileMe is working fine. What are you talking about? I see four lights. #

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  • Someday you and I will have a drink together, my friend, and I’ll be happy to tell you everything I know. #
  • guys, I got the F chord! I am rolling along pretty darn well on this guitar thing if I do say so myself. #
  • I was not affected by the earthquake, just wanted to twitter about it like everyone else. :) #
  • I actually might buy Midnight Club: Los Angeles, not because I like the game, but just so I can drive around LA whenever I want #

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I’m going to Lollapalooza this weekend — I’ve never been and am pretty excited about it. I’m putting my schedule up here, not just so you can see it, dear reader (and drool! HA!), but so I can pull it up on my iPhone if I forget where I’m going.

I should say that this isn’t all I plan to see, it’s only the stuff I plan to run to. If there’s another band you recommend that’s not on this list and that’s going down during a certain time, let me know and I’ll be there.

Friday:
11:30-12:15: Bang Camaro
12:15-1:15: Black Lips
2:15-3:15: Go! Team
4:15-5:15: The Black Keys
5:15-6:15: Cat Power
6:14-7:15: Bloc Party (sorry, Raconteurs)
7:00-8:00: CSS
8:00: Radiohead

Saturday:
12:45-1:30: The Ting Tings
3:30-4:30: Devotchka (sorry, MGMT)
4:30-5:30: Explosions in the Sky
5:30-6:30: Okkervil River
6:30-7:30: Battles
7:30-8:30: Toadies
8:30: Rage Against the Machine

Sunday:
11:30-12:30: Office
2:15-3:15: Brazilian Girls
3:30-4:30: Black Kids
4:15-5:15: Iron and Wine
5:15-6:15: Flogging Molly and/or Blues Traveler
6:15-7:15: Gnarls Barkley (sorry, Girl Talk)
7:15-8:15: The National
8:15: NIN (sorry, Kanye)

Woohoo. Unfortunately, the schedule is pretty packed, so there’s a few I’m sorry to miss, and I don’t know how much time crossing the fairgrounds will take out of the equation — I’ll probably have to make some tough decisions, like whether I want to see the end of one show or the beginning of another, but such is life. I’m looking forward to it anyway.

  • Coming home from buying a new watch http://twitpic.com/5nmx #
  • @jasper9 I thought about doing the best buy boycott but it’s hard. tried a gamestop boycott too but missed trade-ins. damn corporations! #
  • haha just *actually* used remote to control itunes from across the room. <3 iphone #
  • woot Geo Wars 2 this week! Castle Crashers August 27! Awesome! #
  • so many great stories, so few chances to write them. sigh. #
  • ok, taking off to do a little writing for myself. #

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  • @chrisgrant the DVD laser is going bad, I think, considering buying a ps3 *shudder* #
  • there’s a heady mixed smell of alcohol and perfume wafting around this building. feel like I’m back in college. #
  • trying to figure out what to do today. something cheap and fun would be good. #
  • getting really excited for Lolla next weekend, though disappointed that Devotchka and MGMT are playing the same time #
  • can’t believe it’s so hard to get guilded #

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  • wow I just called Xbox 360 support about my bad dvd drive… and they fixed it. color me goddamn impressed. #
  • Feel like being a recluse this weekend #
  • xbox 360 is back to busted. figures. #

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  • taking a break from doing what seems like nothing #
  • @seandps WoW Insider does have people at comiccon– though whether they’ll be able to post from there remains to be seen #
  • mad men is such a terrific show #
  • a little surprised about it, but I wish I was working #
  • @eliah haha making good use of your time eh? :) #
  • ernie and bert are pretty crunk http://tinyurl.com/64z4cm #

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  • Yup, that sucks. #
  • recording something silly that I’ll likely regret later #

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  • just used shazam on the iphone for the second real time (first was radio, now TV), and it served me very well. I love it. #
  • should I be worried there’s no wikipedia entry for me? Maybe I’m not getting enough info about myself out there #
  • hey I almost forgot — anyone want to help a charity I know design a website for free? No pay but great portfolio work, and super easy #
  • hi I’m mike shwam, nice to meet you http://tinyurl.com/6jqpdh #
  • They have some amazing rock formations in southern Missouri. Epic Shale. #
  • putting a sweet Christmas contest together for WoW Insider #

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  • Dig yourself, Lazarus, dig yourself. #
  • I really dislike when companies make me print something out, sign it, scan it, and send it back. Printing anything just doesn’t work for me. #
  • watching dr. horrible #
  • dr horrible mini-review: was good, ended on a weird note. everyone buy it just to mess with the system. Want a van-controlling iphone app. #
  • lots of bad news today #
  • wow fanboys is showing at comiccon, next year I think I should probably be there instead of at E3 #
  • doing a massively podcast in a few minutes here #

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  • [http://tinyurl.com/6bkd6z] - Rad tattoo on the bus #
  • looks like I am going to GenCon. Anyone else going to be there on Friday? #
  • @MikeTRose but what’s Schrammkopf? #
  • @Krystalle Yes! I know it! I may not be going to gencon — seems like badges aren’t available any more. but I will be in IN that weekend. #
  • need to go grocery shopping today — left the house completely out of food before my trip #

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  • Back in Chicago waiting for the bus, annoyed already. Maybe it’s the air here. #
  • just grabbed dr. horrible, can’t wait to watch it. also, this is cool: http://tinyurl.com/6sa9ol #
  • @gedeon i’m excited for the watchmen movie, but I agree with Moore: there are things in there that can only be done in a comic book #
  • watching the ufc fights from last night with a few friends #
  • anderson silva can not be stopped. unbelievable. #
  • heading out to see Hush Sound at the House of Blues (assuming there are tix left) #
  • Bah hush sound is sold out. Someday I’ll learn to buy fix BEFORE a show, even a small one #
  • Grabbing a dog at portillos, so trip’s not a complete waste #

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  • still writing. we’re headed to an end-of-the-week dinner in a bit. Also, discussing microtransactions with @krystalle and @whoisdialogue #
  • Eating some divine tres leches with fanboys #
  • Walking alone at night through Beverly hills #
  • Checking in at lax a few hours early #
  • OH at LAX: “I’m a fly n****. I know.” #

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  • Tons of swag at the joystiq meetup http://twitpic.com/4hbo #
  • Joystiq readers are hungry! http://twitpic.com/4hsx #
  • Joystiq party was awesome, massively rocks at rock band #
  • Going to see dark knight with the WIN crewe #
  • Dark knight was awesome, eating lunch at LA’s farmers market #
  • good news: the shot where I was an extra made it into Dark Knight, but I’m not sure if you can see me in the bkgrnd or not. #

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I’ve been in Los Angeles for the E3 videogame convention, which means I’ve had one of the best weeks of my life. In order to record exactly what I did for posterity, and in order to tell all my great stories to friends (and anyone who reads this site), here’s a quick rundown of all the crazy stuff I was able to do this week, and how I feel about it.

Saturday
I flew out of Chicago Saturday morning last week — the plane ran a little late because of a system problem, but we got there fine. David Carradine was on my flight into LAX — I didn’t talk with him, but I did cut him off while entering the plane, accidentally of course. There were lots of Air Force folks on the plane, all headed home, and the pilot gave them a salute over the announcement system a few times. The movie was Be Kind Rewind, which a) I didn’t realize they were actually showing the movie until halfway through, and b) I didn’t like very much. I guess it’s not a good idea to watch a Michel Gondry movie on a small screen through headphones.

When I arrived in LA, I ran off to get my car, and was given three choices: an SUV, a white Kia, and a black PT Cruiser. I passed on the SUV, and figured for some reason that the Cruiser would have the best gas mileage, so I took it. I rolled up to Santa Monica first — I wanted to stop by the Apple Store at the Third Street Promenade, and buy a case for my iPhone before the week started.

When I got there, the line was nuts — there was an iPhone line down the street, and there was another line just to get into the store. I waited for about thirty minutes, which is a disgusting amount of time to wait to buy something, but after about ten minutes of waiting, I decided that I didn’t want to waste all my time, so I stayed. Once inside, I bought an iSkin Revo — I wasn’t so sure about the skin when I put it on Sunday evening, but since then it’s looked pretty good.

I also grabbed some dinner — I ate a pretzeldog, which is a hot dog wrapped in a pretzel. Pretty gross (and pretty tasty), but I wanted to hurry for what I’d decided was the main event: driving up the California coast as the sun set over the Pacific Ocean.

Just to make sure I was in the right place, I walked out to the edge of Santa Monica, and looked out over the Pier. I’d been there once before back when I lived in LA for a summer during college, and it was beautiful — palm trees swaying above, the pier reaching out into the blue, and the sun turning orange overhead. I hurried back to the car and started rolling up the coast — just as the sun reached the horizon, I turned on to California 101 and started driving up the coast.

It was awesome. The houses are great up there, and the road was an easy drive. I wanted to stop and look out over the ocean, but I was racing the sun, and I wanted to see as much as I could with what little light I had. Right around Ventura, darkness fell completely, and while my plan was to head up to Bakersfield that night (to drive back through the desert on Sunday), I had to revise it. I stayed at a Motel 6 in Ventura, and planned to drive north in the morning.

Sunday
I woke on Sunday to a hazy bit of sunshine — after dressing and packing, I double checked my map and then drove north out of Ventura on highway 33, the California Safety Corridor. This is where the drive really got good — I had seen on the map that it was natural forests, but now I could see that it was mostly mountains with all kinds of brush and stone, and just amazing. Views were everywhere, and I was super glad that I had waited to drive during the day — I stopped on the side of the road and took a few good pictures.

And as if that wasn’t enough, in the middle of my drive, I was surfing the radio, and came upon a familiar tune:

Oh, hear that old piano coming down the avenue
I hear the roses, I look around for you
That sweet old someone, coming through that door.
It’s Saturday, ‘n’ the band is playin’
Honey, could we ask for more?

I couldn’t — I was having a ton of fun driving down windy roads through beautiful mountain vistas while listening to A Prairie Home Companion. It was, like much of the rest of this week, perfect.

I did get stopped once during the trip — there was a fire further up on the road, and the fire department had stopped us. We waited out there for about forty-five minutes — I sat down and wrote some text about how LA seems to make me want to just write and write as much as I can. Suddenly, I heard a rush of sound, and a helicopter flew very close to the mountain we were waiting on. As I watched it whoosh overhead, a cloud of mist rose from behind the mountain where the chopper had come from — it had dropped water on the highway ahead of us. A little while after that, the fire department decided we could go on, and as I went past, I couldn’t see any water. Either the water had been dropped someplace I couldn’t recognize, or it had already evaporated in the dry, hot sun.

On the other side of the mountains, things get even hotter and there’s desert. I never did see a cactus, but I saw plenty of ranches, the kind that celebrities buy and run. I found a gas station out there in the middle of nowhere (complete with silent old guy sitting out front), and decided to turn back towards the city — I had to return the car by 4.

On the way back, I stopped by In and Out Burger, the absolute best fast food in the world. Recently I’ve been trying to wean myself off the fast food, but fans of In and Out know it doesn’t really count — the fries are cut and made fresh, and the burgers are the tastiest around. It was a terrific meal, another great part of a great day.

Afterwards, I headed into Beverly Hills (we stayed at the Avalon), and the week really started. I met up with the Joystiq crew — I knew most of them by name, but only a few by face, so there were a lot of introductions to be made. I drove the car back to the airport, grabbed a ride back to the hotel, and settled in for the week.

We had a conference room reserved for the whole week (which is where I write this right now, actually) inside the hotel, complete with WiFi, comfy chairs, and a big conference table. This is where I spent a good part of my week, writing posts, responding to emails, coordinating schedules, and just generally working hard in a way that was so much fun it felt like goofing around. I would say that the rooms were nice (and they were — the beds were very comfy), but I spent most of my time not sleeping out of them anyway.

Monday
The E3 conference didn’t actually start until Tuesday, but companies often plan big press conferences and events earlier in the week. Microsoft was first up — their press conference was scheduled for Monday morning, and instead of going along with the crew (and taking up an invite slot), I stayed behind, helping hold things down at the conference room in the hotel. I posted a few good news stories out of the press conference, including maybe the biggest news of the show: that Final Fantasy XIII was coming to the Xbox 360 (formerly unthinkable, considering that the game’s makers are so close to Microsoft’s competitor Sony).

For the afternoon, Electronic Arts was having their press conference, and for that one I was able to go out to the Orpheum Theater, where they were holding it. I was supposed to watch for news of MMOs, and while I did see lots of promos about The Sims, a really nice but short talk from Wil Wright about Spore, and both Bill Walton and Natalie Gulbis pimping EA Sports titles, the only MMO news that came out of the conference was a partnership with Rupter. I IM’d it back to the homebase, and the story got posted on Massively.

After the EA event, we headed back to the hotel, and I met a few more of my fellow bloggers who I’d spoken to many times over the Internet, but never in person. A group of us from Massively went out and grabbed dinner together at Cafe Brazil, a Brazilian place one of us knew in LA. I had a steak sandwich which was very tasty, and we chatted about blogging, each other, and how great the food was.

Tuesday
Tuesday was the start of the convention, but first we had two press conferences to liveblog. Nintendo lead off, and their showing was pretty poor — I wrote about the new mic for their Wii, and the new Animal Crossing game they announced (I had hoped it would be massively online, but no such luck). Sony had a press conference in the afternoon — they announced the release of movies on their online service, and they broke the official news of God of War III, even though we didn’t get much more than a still.

Tuesday evening I headed to the convention center for the first time. There were two levels there: the top level was full of a bunch of meeting rooms, full of PR people and games displays, with all the little companies that were showing off games at the convention. The lower floor held the show floor, which was an open area, with lots of booths also showing off new and unreleased games.

E3 used to be a gigantic spectacle — it used to be open to the public, and companies would spend hundreds of thousands of dollars to try and grab as much attention as they can, including handing out swag like candy and putting signs everywhere. But nowadays, it’s been scaled back a lot — a few years ago, it went to press-only, and this year companies have decided that they should take it easy — most devs just stayed in the meeting rooms and met only by appointment with a limited number of press outlets. There were lots of games to play, and I played plenty, but you had to hunt a little bit and know the right people to get into some places.

I didn’t play much on Tuesday, though — we went in the evening to the Activision press conference, held in an old church in downtown LA turned into a neon-lit club. It was the one thing I was supposed to attend for WoW Insider, since Blizzard and Activision just merged. But unfortunately, there was only one mention of Blizzard and nothing about WoW, so it turned out to be the most boring press conference I saw — they showed off Spiderman: Web of Shadows, the new James Bond game, and they really pressed hard on Guitar Hero 4, to no avail: I’m a dyed-in-the-wool Rock Band and Harmonix fan. But the best part of the press conference was afterwards — they held a reception, and Activision spared no expense with the bar and food. Open bar, and they were serving a make-your-own chili bar, dumplings of a few different kinds, sushi, gourmet pizza, mini-burgers, and more. I never ate as good all week as at the Activision reception.

From there we went over to the Bethesda party at a western saloon-themed place on Sunset Boulevard (I had been there before, in my previous LA life). I was hoping to play Fallout 3, but there was no sign of any videogames. There was, however, some food (not as good as the Activision party, but still tasty), more free beer, and later on in the evening, some smores. And karaoke. And a mechanical bull. No one I knew did either, but I had a good time visiting the old club (I once ran a tab up there, and then realized I didn’t have any money — had to borrow from an acquaintance, which was a bit awkward).

After that we headed back and did more blogging. I should say that at this point I was pretty tired — every waking minute not spent watching game demos or traveling between parties was spent at a computer, writing down my thoughts about said game demos or parties. It was a lot of work, but I loved every minute of it — covering this kind of game and tech stuff on the fly feels like what I was born to do. And the terrific team I was with buoyed me even when sleep beckoned mercilessly — every minute we had together was filled with “Did you see this? Did you hear about this? I just saw Cliffy B! Who’s writing that preview?” It was great the whole time.

Wednesday
Wednesday, I determined, was the day I would finally traverse the show floor and play as much as I could, although things didn’t exactly work out as planned. I woke early and spent the morning blogging everything I’d seen the previous day, and then headed into the convention center for meetings with the Xbox Live Arcade folks (probably the best games I played at the show), THQ Wireless (makers of a couple of games for the iPhone), and later in the afternoon, BioWare. At the BioWare meeting, I dropped a question about the Knights of the Old Republic MMO, and of course they pretended to have no idea what I was talking about — until the next day, when they confirmed the game.

After the BioWare meeting, we headed back to the Orpheum for one of the best parts of the week — Harmonix held a party there for Rock Band 2. When we arrived, we found multiple Rock Band 2 setups, including a full stage with monitors everywhere so people could play facing the audience. I jumped up on stage immediately with a few others from Joystiq, and made a sad mistake singing the first song. Later on, I was able to play some drums, and did a little better, but with a setup like that, no matter what happened, it was a good time. And at the end of the night, they flooded us into the actual theatre, not to show us a game, but to have The Who (the actual Who) on stage to perform a full live set, complete with a four song encore. Unbelievable. Baba O’Riley and Won’t Get Fooled Again were two of the best songs I’ve ever seen performed live, period. Never, ever thought I’d see The Who live, and I was lucky enough to see them play for free at a videogame company’s party.

Thursday
Thursday was another great day (see the theme?) — the morning started back at the convention center, where I tried to complete my run of the show floor. I played Infinite Undiscovery for a bit, the new Animal Crossing game, a bit of Banjo Kazooie 3, some more Rock Band (how could we not, after seeing The Who the night before), a little Chrono Trigger DS, and a bunch of other games, good and bad. I tried out the Falcon controller (it’s pricy, but offers tactile feedback like no other controller I’ve ever seen), and Spore for the iPhone (as well as seeing Mercenaries 2, Mirror’s Edge, and Warhammer) and sat and worked a lot in the press room, trying to clear up everything I had and get it all published on the blogs.

And in the evening, we had another terrific night. The Joystiq meetup was held at Mahalo’s offices, and I got to explore a swank little tech company, and meet some more colleagues I knew by name, but not face. Readers also came by to get some of the tons of stuff we gave away, and I was able to play Rock Band, Halo, SSB, and Call of Duty 4 with readers, as well as the star of the show, Rock Band 2. A Naughty Dog dev also came by (I geeked out a little bit about his games), and it was really fun chatting with fans and rocking out on the Rock Band drums. At the end of the night, the leads of Massively sat down to play a Weezer song in Rock Band 1, and we five starred it (naturally), even though I was playing with sharpies (the drum sticks for the set were nowhere to be found).

Great night — we finished it up with a delivery from Rosco’s Chicken and Waffles while still blogging.

Friday
And today is Friday. This morning, the Joystiq team woke up to go see The Dark Knight — a terrific movie, the best comic book movie I’ve ever seen, one of the best Batman movies I’ve ever seen, and the best Joker I think I’ve ever seen portrayed. It was at the Grove near the Farmer’s Market in LA (we ate lunch there afterwards — I had some BBQ pork and teriyaki chicken over rice), and that place was strangely magical.

Right after we left the movie, I wasn’t quite sure where my group was, but I wasn’t really concerned. I slowly walked through the street, golden California sunlight floating past the shiny retail stores, retro lamplights, and palm trees that grew inside the modern outdoor mall. Families were shopping, some traveling, but most driven out by the summer Friday afternoon, and the place was bustling but comfortably sparse. I stood in the street, the faint sea breeze on my face, while jazz music piped in crystal-clear clarity floated around the air.

This, I thought, was perfect. I felt like everything, including me, was exactly in the right place, and that everything this week had gone perfectly to plan. I’d explored the California coast and the beautiful mountains, I’d had In and Out Burgers, I’d tried some of the best games of the next few years, I’d seen a terrific Batman movie, we’d had perfect weather, I saw one of the best rock and roll bands ever perform live until their guitars broke, I’d met some terrific co-workers who I’d gotten along great with, as well as some PR people that had sincerely helped me (and some who lied to me — you can’t always trust PR people), and the whole time I’d been writing, always writing, always expressing what I thought about everything around me and respected for the opinion I’d given.

I hope this wasn’t the happiest week of my life — I hope that I go on to even bigger and better things, that I get to cover more conventions like this, and that I keep finding my true path in life and that I eventually do move out to Southern California and enjoy the culture and weird creativity that seems to flow through the air there. I hope that I keep meeting great people, and that I keep the terrific friends I have, and that life goes swimmingly for me, through good and bad.

But if not, if this really was the best time I’ll ever have on this earth, if this is really the only time that everything seems to go perfectly, and that I get to live and do things exactly the way I want to, that’s fine. I’ll handle it. It would have been worth it to be this happy, to have done the things I’ve enjoyed doing this week. If this is it, it’s enough.

But of course it won’t be. I’ve done what I could to get here, and it’s paid off. Why not go farther? Tomorrow’s Saturday, ‘n’ the band is playing. Honey, could we ask for more?

  • Heading out to the rock band party #
  • WHO could it be? http://twitpic.com/4d4n #
  • Yes I did just see The Who #
  • going to bed after a wild day — tomorrow night: Joystiq party http://is.gd/VFk #
  • Sitting in the trunk of a minivan, heading to the last day of e3 #
  • in the EA press room, desperately trying to finish up all of the writing I’ve got to do. Still want to play Banjo, though. #
  • Just played banjo 3 for a bit– I was worried about the vehicles but I’m not any more #
  • Trying to find the bus to mahalo hq #

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  • Just saw “this is vegas,” “mk vs. dc” and “wheelman” at midway — leaving in a bit to the activision press event #
  • Guitar hero isn’t a game, it’s an actual music app #
  • Eatin some good activision chili. Off to bethesda party in a few #
  • Bethesda party has less-good food but better beer. Also it’s at the saddle ranch! I know this place from my previous life in la #
  • up early (again) listening to Joystiq plan their day. iPhone, XBLA, and show floor stuff for me today. #
  • Just asked harmonix a question, didn’t get a good answer. Will try again at the party #

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  • Going out to dinner w/ the massively crew #
  • finishing up one more post this evening, then bed. another big day tomorrow (hopefully animal crossing?) #
  • Hanging out at Joystiq HQ in Beverly Hills, providing ground support for the Nintendo troopers #
  • Nintendo news = disappointing. Sony is up next, and then I’m heading into the CC to see Midway and Activision #
  • Going to meet with midway. ?s about mk vs DC? #
  • Watching wii sports resort swordfighting, pretty chaotic #

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  • Watching videos while driving through Beverly hills with the stiq crew #
  • Haunting the lacc, just saw @majornelson #
  • @gedeon wish I could be on the talkcast tonight, break a leg #
  • @Zonk I have a couple proprietary apple cords? Have a good trip! #
  • blogging from our swank hotel room. going to bed in a little bit — I have to wake up early tomorrow? #
  • today’s the big day! #e3 #
  • Looking for breakfast in beverly hills #
  • helping to liveblog the Microsoft press conference for Joystiq #
  • There goes the last reason to buy a ps3 #
  • Waiting at the orpheum for the EA press conference #
  • EA just showed off Mirror’s Edge, and it looked great #

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  • Hanging out at 3rd st promenade apple store– there’s a line just to get in #
  • Just had a socal pretzel dog, was tasty #
  • @ryanblock I was just waiting at the one in Santa monica, gave the manager some crap for the screw up #
  • Driving out into the desert #
  • after calling about five hotels and coming up short, I chickened out and grabbed a motel. Tomorrow I’ll go see some natural forests. #
  • picked up an iSkin revo today. really like the outside skin, not sure how I like the screen thing. May take it off. #
  • song of the trip so far: http://tinyurl.com/2gjmam #
  • @eliah, @crumpy, @krystalle as does WoW Insider’s category listing, which is really the authority. “AddOn.” #
  • Driving through the beautiful mtns of socal w/ aphc on the radio #
  • Back from my Sunday drive, grabbing an in n out burger mmmmm #
  • Just took the rental car back, now it’s all E3 all the time until sat #

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  • This is important to note: http://is.gd/N0B #
  • wondering what to do when I get to LA tomorrow — Santa Monica? Vegas? Drive up 101? #
  • Tony Snow passed away. Poor guy. #
  • Heading out to the airport, always nervous before a flight #
  • David carradine’s on my flight but there’s a mech problem. Help them, Bill! #
  • Just landed at LAX, still not sure what to do tonight #

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  • Another greenhorn is whining on Deadliest Catch. Poor guy. #
  • tomorrow’s gonna be a little thing I like to call “E3 packing day” #
  • “This version of the iPhone software (1.1.4) is the current version.” BS! #
  • nooo, I had the 2.0 update installing and I accidentally pulled my iPhone off the dock during, and now I’m back to the 1.1.4 message. Blarg! #
  • @chrisgrant black is classic, that was my choice for ipod #
  • welp, I have no phone. iPhone (1.0, not new) is stuck in activation after update. What if someone needed to call me, Apple? #
  • yup, that’s about right http://is.gd/RhY I want my phone back! #
  • I think it worked! iPhone is restarting now. #
  • the truth about Wall-E (spoilers) http://tinyurl.com/55v76c #
  • Finally. Everything is synched, apps are up and running, and I’m iPhone 2.0-ified. Now to try everything out, over and over again. #
  • iPhone screen has never been so filthy #
  • joystiq’s E3 coverage: http://e3-2008.joystiq.com/ trip start tomorrow! #
  • [http://tinyurl.com/6ayqlz] - Testing sketches #
  • I am super impressed with the Shazam app. Just got 4 out of 5 — missed a Beethoven track, but got an unreleased Black Kids EP #

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  • so at what point in the future will we just do away with timezones completely? I’m getting pretty tired of them already. #
  • holy cow, apple broke the internets this morning. why wasn’t I told about all of this? #
  • So, I’ve got apps in my itunes. how about some firmware for my iphone, apple? #
  • who is Masayuki Akamatsu and why’d he get such preference in the App Store? Also: http://is.gd/Qhp dunno what it is, but downloaded! #
  • One guy on Myspace is keeping me from total google domination of the first page of ‘mike schramm.’ #
  • heading out to help some middle schoolers learn how to write, back in an hour or so #

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  • My number one most visited site? Gmail. Number two? The “create link” window in blogsmith. clearly shows you what I do most online. #
  • Buying an application outright should be the new takedown notice. I’m looking at you, Scrabble vs. Scrabulous. #
  • guess I was wrong about the App Store being released today. Oh well, first time for everything :) #
  • not sure how sick in July happens, but I’m it #
  • I think I would like the girl talk album better if iTunes automatically told me which songs were being mixed in #
  • wow, J. Stoff, you weren’t kidding: http://is.gd/GM0 I only recognized about half those samples, didn’t realize there were so many. #
  • Did anyone else watch the “Presto” Pixar short and think of Portal the whole time? #
  • think I’m going to go take a break and hit some golf balls, back in a bit #
  • Bah driving range is closed. Great day, though–